“Come FLY with me “

During our travels to Hollywood for the East Meets West Tri-Pole Challenge the Bad Kitty Entourage was invited to a weekly Pole Event Called “FLY” held at Shin restaurant and sponsored by X-Pole.  What a great time, we got to see Leigh Ann Reilly and Marlo perform, had a swank VIP booth with Bottle service, an open air patio, and met a ton of great people.  We had to learn more about this unique venue and had the chance to sit with the owner of Shin, Simon Shin, and ask some questions.

BK: So what spawned the idea of a weekly Pole Dance event ?

SS: Well a couple of my friends, Chris and Leigh Anne at Be Spun and Ty over at X-Pole we looking for a spot to do a weekly event where everyone could hang out in a nice place with a good vibe and watch the world’s best pole dancers perform. They wanted place that was intimate and also a good performance venue. The rest is history!

BK: How many events have there been thus far ?

SS:Wow it seems like we just started but we are already in our 7th week

BK: You have had some of the best and most well know Pole Dancers come to Fly, who are some of them ?

SS: Man now that’s an A list and I better not forget anyone so let’s see we have had Felix Cane from Australia, who is also one of the stars of the Cirque du Soleil show Zumanity in Vegas, Marlo Fisken from New York,  Sarah Cretul, all the girls from Be Spun like Tiffany Hayden, Mina Mortezaie, Anjel Dust, Amy Guion, Jennifer Kim & Natasha Wang. We also had Karol Helms from North Carolina and Allison Cox from Florida and I’m sorry if I missed anyone.

BK: There has also been quite a few celebrity sightings there as well, care to mention a few, what do you think attracts them to Fly ?

SS: They tend to come here because they are friends with Chris and Ty so I don’t think I should name drop them here. I think what attracts them is that they can come here and have a good time and see the world’s best pole dancers without being hassled.

Mina & Nadia with the Dr. !

BK: So are any of these celebs Pole Fans now ?

SS: Yes, lots of them like to come and hang out and watch the action.

BK: What should we be looking forward to in the future of Fly ?

SS: More of the same, more great dancers, more good times and

More special guest dancers…and of course more celebrities!

BK: WOW, what an amazing concept.  I’m sure we will get the question so we’ll ask it here now…If I’m a pole dancer and I think I have what it takes to come perform at Fly, how and who do I contact ?

SS: Yeah good point different dancers every week is what makes it FLY Leigh Anne Riley is the coordinator of all the girls so they can call her at 323-610-8268 or they can also call Heydi at the X-Pole office at 818-255-1880

for more information please visit:  http://thursdaysatfly.com/

Douchebag Fans

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Great title, huh?  So a few Saturday nights ago, I was home alone drinking wine and catching up on my Facebook pole dancing news.  After watching Alethea’s super amazing chair dance video, I went to her page to find more of her fantastic work.  Find it I did, and I also found a rather disturbing account of one of her so-called “fans”, a gentleman – no wait, he is not a gentleman – by the name of Eddie Albert.  Because Alethea is strict about her privacy I’m a little reluctant to go into great detail, but I will say this:  If you think that telling a woman how she should improve her body or change her looks or cover herself up or expose herself more could ever be considered positive feedback, you are a moron.  If you say these things to a woman you don’t know with the intention of improving your own personal viewing pleasure of this woman, you are not only a moron, you are an ignorant pig who needs to be slapped.

And boy did Mr. Albert get a slap.  Alethea’s response was…wow.  Even better though, was the pack of women who wrote to Mr. Albert on Alethea’s behalf, and on behalf of pole dancers and women everywhere.  One of these ladies posted Mr. Albert’s response to her letter to him.  I think Mr. Albert was a bit confused at this point about which pole dancer he was talking to (because obviously we are all the same), but here is his response:

I offered to you, whom I thought to be a professional, a fan’s opinion.

Personally, I believe the hostility of your reaction is unwarranted. Who knows, this may be how you handle any criticism. This is my second and last message to you, unless you reply. I have included the message you sent from facebook for reference.

The first message was my opinion on your chair dance which I stated could be discarded if you were not looking for an opinion. I also said you were very good at what you were doing, I only gave minor appearance prefences… Which I stated were only MY preferences. I sent the message privately to you so as not to not embarrass you and in the hopes of helping without offending you.

It should be noted, I did not use any profanity in my messages to you, I have not threatened you in any way, nor do I intend to.

Apparently I failed miserably in my attempt at helping without upsetting you, for that I apologize.

Now, I almost feel sorry for the guy – he is so goddamn misguided.  Except that one of his “tips” for Alethea was that she put more clothes on so he could watch without worrying that his wife would catch on.

So what are we seeing here?  Well, aside from the fact that Mr. Albert is kind of a jerk, there are some other, more fundamental beliefs being exposed that I think are actually quite common in our culture.  For example, if a woman is dancing sensually, she is doing it ultimately for the viewing pleasure of a man (any man).  The idea that a

woman might be dancing for her own pleasure and gratification or for the purpose of educating other women in the art of pleasure and dance runs contrary to the chauvinistic belief that women’s sexuality exists only in relation to a man.  Also present in Mr. Albert’s twisted letter is the belief that a woman who chooses to put expressions of her sensuality (i.e. picture, videos) in any sort of public venue is in fact asking for, or even worse, deserves the kind of attention he gave her because she is obviously open to it and he is just being “helpful”.  My favorite part has to be when he carefully notes that he did not use any profanity in his messages to her and did not threaten her in any way.  Oh yes, good. Because offering your unsolicited, unwanted,sexist comments under the guise of “helpfulness”  and being a “fan” was definitely taking moral high road, Mr. Albert.  Well done.

So how do we resolve this?  What do we do in the face of such misguided ignorance?  Certainly, if someone offends you, it’s best to make them aware of that.  But there is a bigger issue here that we as a community need to address and which will require educating the general public.  It’s not enough to distinguish ourselves from the stripping community.  It’s not enough to point out all the artistic and athletic merits of pole dancing.  What people have to begin to understand is that a woman dancing sensually might not be doing it because she wants the attention of a man or for the purposes of pleasing a man.  She might just be doing it for her own sense of pleasure and personal satisfaction.  And even more importantly, people need to begin to see the dance for what it is – an incredibly beautiful, sensual, athletic and sometimes even erotic expression of the body – and to respect the women who have the courage to perform.  Instead of condemning women who choose to share their sensuality with the world, we need to begin to ask questions like “What is the value of female erotic expression and embodiment?”.  These are perhaps not questions that someone like Mr. Albert might be able to wrap his head around.  But by making it clear again and again that we are dancing for our own pleasure, that we are dancing to teach others how to find that same pleasure in their bodies and that there is a great deal of value in the sensual display of the female form we can begin to change the way people view female sexuality.  And then perhaps Mr. Albert will finally write a proper fan letter to the beautiful and very talented and very sexy Alethea Austin.

Take It Off!


I’m always slightly amused by pole dancing studios that insist on stating that there is NO STRIPPING involved in their classes.  As if somehow this assertion will insure that no one will confuse what they do with what strippers do.  As if what distinguishes stripping and pole dance classes is the removal of clothing.

I actually strip in my dance classes.  I strip down to a thong and a bra.  Not every class, and when I do strip, not every layer always comes off.   But I take my clothes off.  You see, I think the act of stripping off layers is important for a couple of reasons.  First, it’s an art form.  Getting out of your clothes gracefully while dancing, mastering the art of the tease takes tremendous talent and practice.

According to Lucinda Jarrett, stripping is actually a uniquely American art form and it was here that the art of striptease was first recognized as a craft.  Back in the twenties, strippers dubbed themselves “ecdysiasts” and schools for teaching the art of walking, posing and peeling sprung up everywhere.  Once these parts were mastered, and the women gained sufficient confidence, they would bring their own personalities into the act, including costumes.  How much one could reveal without revealing it all was the name of the game.  In our current culture, where baring it all has become the norm, there is something to be said for the sensual art of revealing one’s self slowly and deliberately.

Secondly, there is an emotional component to stripping that is extraordinarily enticing to me.  There is something so freeing about shedding your clothing, layer by layer.  I love pulling at the hem of my shirt while I swing around the pole or feeling my ankles get tangled up in a miniskirt that has found it’s way down my legs.  I take real pleasure in revealing myself to my classmates, layer by layer.  That pleasure comes from the understanding that my vulnerability and my power are inextricably mixed up in this process.  In revealing myself, I make myself vulnerable.  But the act of revealing myself holds my audience captive and mesmerized, which feels powerful.

In the play “The Why Factor”  a group of women who decide to take a pole dancing class are challenged by their teacher to “peel off the layers”.  The metaphor for taking off one’s clothes, in this case, is to take off the layers of bandages that we put over our emotional wounds.  During her monologue,  Pele, who is the teacher, begins to take her own layers off:

Now we’re getting somewhere.  Peel it off Verne.  Peel off the layers.  Maybe then you will be able to figure out why you said yes.  Maybe then you will beable to feel something.  (PELE has begun to circle the room, continuing to peel layers off her clothing. The goddess is beginning to get angry)  Would that be so bad?  Would opening your legs lead to opening your heart?  What if it did and what spilled out what dirty, rank sewer water?   Could you let that wash overyou if it meant ridding yourselves of it once and for all?  Or do you want it to stay inside and fester?  To pus over and harden, so you can carry it around for everybody to share?  Is that what all of you want?  (she strips off more clothing)Is that what you’re afraid of?  Your truth?

This monologue reflects some of what I find so powerful about the process of peeling away clothing from our bodies: it’s about revealing our sexuality deliberately and slowly, about exposing our most vulnerable selves.  There can be something very emotionally potent about the act of stripping.  As Catherine Roach says so eloquently in her book “Stripping, Sex and Popular Culture”, stripping can become a metaphor for taking off inhibitions, such as shame, guilt, fear and ignorance.  It can become a way of stripping off narrow definitions of beauty and sexiness, and of the oppression of those who enjoy sexual pleasure outside of the norm.

There is a common misperception that stripping is about exposure and overexposure.  I disagree.  When I remove my clothes, I am choosing to reveal parts or even all of my body to another.  I am stripping away my inhibitions and shame over my body.  I’m defying the demand that society makes of me to keep it under wraps, to cover it up, to restrict my appetite.  I am reveling in the pleasure of offering something delicious to another.  I am enjoying the tease.  So the next time you are swinging around that pole or rolling around on the floor, put on an extra layer or two first, and slowly, sensually, deliberately take it off!

I Heart Bad Azz

If you were at the DC Pole Convention, then you know that the Spins and Tricks battle (sponsored by BadKitty, thank you very much) was won by none other than the amazing Mr. Josiah “Bad Azz” Grant).  His spin was a little something he called “Dangerous”.  Please don’t ask me what he did, because it happened so fast that I just remember my jaw dropping and that’s about it.  It was amazing.  And dangerous.

            Later that evening Bad Azz performed in the Showcase of the Stars.  He was the only male, and he absolutely blew the audience away.  I think what struck me the most about his performance was not just the incredible strength and athleticism of his movements, but his raw sexuality.  First of all he danced to a song that was hot and dirty.  I won’t tell you what it was about, but it was good.  Once on stage, the first thing he did to the pole was to give it a big old tap with his hip.  The ladies in the audience went wild.  In fact, every time Bad Azz did something kind of sexy, the ladies in the audience went a little crazy.  He didn’t just throw tricks, he danced.  And he danced with a lot of heart and lot of sensuality. 

It’s a beautiful thing to see a man on a pole.  I think part of what made Josiah’s performance so electrifying was that he was pushing a boundary just by being up on stage.  In a way, Josiah’s presence legitimizes pole dancing as something more than just entertainment for men, because he is a man.  His willingness to be sensual and sexual on the pole is pleasurable for women to watch, but it also has a freeing quality to it.  Women (and men) can see that being sexual and sensual on a pole has nothing to do with gender.  It has to do with being a sexually alive human being.

            There is a lot of discussion about the prejudices women sometimes face for choosing to pole dance.  But you rarely hear about what kinds of cultural biases men who pole dance are confronted with.  That may be, in part, to their relatively small numbers.  But I have a sneaking suspicion that they have as hard of a time as the women do.  When I mention men pole dancing, the response I usually get from people is “There are certain things that should just be left to women.”  Oh.  Right.  Along with the laundry and the housecleaning, I suppose?  Comments like these reflect not just a lack of understanding for the athleticism required in order to pole, but a lack of imagination when it comes to gender and sexuality.

 I love that the pole community is a place where women can go to be with women, and I hope a part of it always stays that way.  But when I see someone embody everything that I love about this movement, and he happens to be a man, I get really excited.  And very, very inspired.  Welcome to the pack, Bad Azz. Meow.

Tri-Pole Challenge, An Event you won’t want to miss !!

East Meets West Pole Events

If you attended the Pole Convention and had the time of your life, of if you are kicking yourself for missing it, you wont want to miss the next big event !!

There was so much interest in the Tri-Pole Challenge at the Pole Convention in DC this past weekend, that they have extended the competition entry deadline to midnight, June 8, 2010.

The Tri-Pole Challenge is the first Pole Fitness Association sanctioned event.  In the interest of competitor safety, PFA will provide a representative on site, as well as, provide judges who are working to set and maintain industry standards, for effective and efficient scoring protocols.

Friday night, August 13, come dress to the nines and walk the red carpet for a night of glamorous entertainment. Bad Kitty will showcase their newest and hottest items specifically created for pole dancers in another HOT Pole Fashion Exhibition. This event will be followed by a Rock the Pole exhibition, with Prana Ovide-Etienne from France and Zoraya Judd from Utah, already in the line-up!

Saturday, August 14, is an afternoon with unique and fun competitions.  First at 1:00pm, the Pole-Am competition, for ladies 18-34, with no previous or current titles.  Second at 3:30pm, the Mrs. Spinster category, for ladies 35 and up. And last but certainly not least, the Bi-Poler competition at 6:00pm which will feature doubles, comprised of female teams or male/female. These competitions have an hour intermission, along with special intermission acts like the Hells Bells and Kinetic Theory Theatre. The Mighty Grip People’s Choice award will be announced at what will be a Rockin’ After-Party sponsored by X-pole held right at the theater !!

If you are interested in entering any of the competitions visit: Click Here Just click on the event you wish to enter for guidelines and the application.

Remember the deadline for entry is midnight June 8, 2010.

Sunday, August 15th we will offer workshops with some of the best in the industry, at X-Polesitions.

If you are interested in performing in the Rock the Pole or as Intermission acts contact  info@emwpoleevents.com for more information and to submit your video.

For ticket information for the events, including an all-inclusive pass visit  Click Here

For more information on any of the competitions and events above, visit Click Here

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Can’t make it out to the west coast for this event?  Not to worry, the Polarity Competition on the east coast is on the horizon!  To be held in Charlottesville, Virginia on the weekend of September 10-12, 2010,  the Polarity Competition features two divisions.  First, the Pole Drama competition will focus on the theatrical side of pole dance.  Competitors will be judged on musicality, choreography, and creativity.  Interpretation not your thing?  Then the Trixpert competition will be just the thing for you!  This division will spotlight fitness and tricks in the sport of pole dance.  Men are welcome to compete in both of these events!

Deadline for entry to any of the east coast events is July 1, 2010

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East Meets West Pole Events:

Tri-Pole Challenge
August 13-15, 2010
El Portal Theatre
N. Hollywood, CA.

Visit The PFA

For more information on PFA, please visit:  www.polefitnessassociation.com

OMG! The Pole Convention! What a blast!

If you were not in DC this weekend then you completely missed out on the best Pole Event of the year. From the Tacky Pole Stroll and Bud Light Bottle, to the Street Poling and the Amazing Showcase Performers, Jessalyn Medairy and Pole Pressure pulled off one of the most fun and amazing events we have ever attended.

The Bad Kitty Pole Fashion Exhibition was fantastic! Mina Mortezaie and Zoraya Judd showcased our new PoleFit line and Michula Nunez, Leigh Ann Reilly, and Anjel Dust showcased a few pieces from the performance line. These girls did an amazing job!!!

So watch for the glittery Red Shoes, the amazing tricks and spins and of course the shoes that rock Bud Light!

hi-pok-ruh-see

Soooo, let me get this straight.  It’s ok to march around in a bikini and high heels on a stage on national television if you are competing for a pageant title.  It’s also ok to pose in lingerie for the pageant.  But getting on a stage in a tank top and heels and dancing to win a competition that deems you sexy is completely inappropriate.  I mean insert a stripper pole and some sensuality into a picture and all of a sudden, a scandal is brewing.  I don’t get it.  I really, really do not get it. 

 I will be honest: I’ve never been a fan of beauty pageants.  They seem a little forced to me, a little fake.  I suppose the same could be said of certain strip clubs and even certain pole dancing studios.  But I find the picture of Rima Farikh on the pole a hundred times more genuine and interesting than the one of her in her bathing suit.  And I’m not referring to the fact that her legs are slightly splayed open either.  I’m referring to the fact that there is emotion and a feeling of joy in her face and her body.  She is letting that naughty temptress part of herself come out to play and she is having fun doing it.  This is a woman who takes great pleasure in her body and in her beauty.  And isn’t that part of what the whole pageant thing is about?  So why is it ok for her to enjoy herself on a pageant stage but not on a pole dancing stage?  Because the second you cross over from a perceived “good girl” wholesome, display of your beauty that has just a whisper of sexiness to it into an overt display of sensuality that makes no bones about what you are doing and how much fun you are having doing it, you are perceived as a lesser woman, a bad girl, a whore. 

 Some people would argue that we should just do away with the whole thing: pageants, strip clubs and pole dancing classes.  I disagree.  The solution for women is not to banish our bodies and our beauty.  The solution is to determine how we can make the choice to display the grace and sensuality of our bodies, in all shapes and sizes, without being labeled bimbos or bad girls.  Perhaps one of the biggest disappointments in all of this hype about Rima Fakih is how much people overlook or simply dismiss the possibility that these women enjoy sharing their feminine sexual energy with the world.  It’s for fun and for pleasure.  And that perhaps there is nothing inherently wrong or misguided about that. 

YES, Pole Dancing is Empowering

In Response to David Mitchell’s article in The Observer

I want to take a moment to talk about the word “empowerment”.  The idea that pole dancing empowers women has been getting thrown around a lot in the pole dancing community.  A lot of people outside the community ridicule this idea.  After all, pole dancing, which in many people’s minds is directly connected to strip clubs, has mostly been associated with the objectification of women, not their empowerment.  This debate was most recently reflected in Cambridge Union Society’’s decision to hold all-women’s pole dancing classes, to call them empowering for women, and the public’s response.  Read: http://www.guardian.co.uk/commentisfree/2010/apr/18/students-pole-dancing-david-mitchell

All right, now that you have read the article, and are probably steaming mad, I think it would be helpful to toss out a few definitions.

Empowerment: refers to increasing the spiritual, political, social or economic strength of individuals and communities. It often involves the empowered developing confidence in their own capacities.  (Not recharging your cell phone.)

Marginalization: refers to the overt or covert trends within societies whereby those perceived as lacking desirable traits or deviating from the group norms tend to be excluded by wider society and ostracized as undesirables.

Let’s start with empowerment.  How does pole dancing strengthen individuals and communities?

Economically, women in the pole dancing community are 1) starting their own businesses through teaching, writing, clothing sales, competitions and making money. 2) Developing a new niche market 3) spending their own money for something they see as valuable and therefore stimulating the economy.

Politically, women in the pole dancing community are pushing to redefine the limits of what is seen as appropriate sexual behavior for women, pushing to be seen as athletes in their own right, pushing for the freedom to express sexuality and sensuality without marginalization and condemnation.

Socially, women in the pole dancing community are gathering in communities (as they have for centuries) and connecting, building relationships, networking, supporting one another, getting fit, exploring their sexuality, exploring their femininity, playing, laughing, crying and celebrating one another.

Spiritually, women in the pole dancing community are connecting to the erotic, which is a deeply feminine and deeply spiritual place in all of us, male or female.  The erotic is linked to an internal knowing, a felt sense that lives in the body, and is readily expressed through movement.  Additionally, women in the pole dancing community are gathering in the same way that many spiritually based organizations gather: once a week, in a designated sacred space, with the intention of communing individually and collectively in honor of their bodies and their movement.

For most women who have taken a pole dancing class for any extended period of time, it goes without saying that they have increased their confidence in their capacities – physically and sometimes sexually as well.  So these are the ways in which pole dancing falls under the definition of the word “empowering”.

Now, let’s talk about the definition of marginalization for a minute: it refers to the overt or covert trends within societies whereby those perceived as lacking desirable traits or deviating from group norms tend to be excluded by wider society and ostracized as undesirables. Pole dancing is, at this stage, most definitely deviating from the norm.  Ten years ago you would have been hard-pressed to even find a class.  Gaining mainstream acceptance has only just begun and we are, as a community of women who freely choose to dance sensually on a pole in six-inch stilettos, not the norm.  Additionally, we are linked (and rightfully so, to some extent) with the strip club community. In a culture where overt displays of female sexuality are seen as less than desirable (especially if they are done for the exchange of money) and sex-phobia is widespread, it’s no wonder that there is pushback from the general public. So when Mr. Mitchell refers to a woman who might be interested in a pole dancing class as “stupid and impressionable”, or when someone ridicules the idea of a pole dancing class as “empowering”, or another woman accuses us of “betraying women everywhere”, and NONE of these people have ever even set foot inside of a studio, what we are experiencing is a deliberate attempt at exclusion from the wider circle of society. And that exclusion is based on ignorance and fear.  The irony of course being that many of these people are basing their grounds for exclusion on the fact that pole dancing is “denigrating” to women. They want to judge and subsequently ostracize something that they a) have never experienced and b) know nothing about and have never bothered to research and then say that they are doing it in the spirit of protecting women and their integrity.  It’s the ultimate in hypocrisy.  A more honest response from people like Mr. Mitchell would be simply to say something like this: The thought of women dancing erotically scares the shit out of me.  It makes me hard and disgusted at the same time and I don’t know how to cope with that.

Finally, the idea that women are taking these classes in order to be “ogled” and that there is something inherently wrong with that is downright absurd.  First of all, the reason pole dancing classes are all female is specifically to avoid the “ogling” factor (and not because they are sexist, as Mr. Mitchell would have us believe).  Secondly, so what if a woman enjoys the gaze of another person while dancing erotically.  What is wrong with that?  I’ll tell you what’s wrong with it.  Anyone who has ever danced erotically for another knows the tremendous power she has over that person.  The quickest way to rob a woman of that power is to shame her out of it.  And that’s the dirty little trick that’s been played on women for centuries.  Unfortunately, we play into it by allowing and sometimes even encouraging demeaning responses to our sexuality.  It’s only by fully owning and expressing our sexual selves that we will put an end to that nasty practice.  Pole dancing, as most of us know already, is an excellent way of doing just that.  So suck it, Mr. Mitchell.

Getting Ready for the Pole Convention!!!

I’m sure that most of you in the Pole Community are aware of the 1st International Pole and Exotic Dance Fitness & Expo that is taking place in Washington DC on May 21st – 23rd, 2010. And we are getting very excited for it as well.

Not only will be sponsoring the event we will be launching the first ever official PoleWear line by Bad Kitty. We have worked so hard on this line with the help from some of the top pole dancers. Alethea Austin, Mina Mortezaie, Estee Zakar and Karol Helms have all put in their comments and suggestions on every aspect of these garments to make sure that they are not only fashionable, but functional for the pole community.

Take a peek at the video here that explains the PoleFit Line!!!

Yes I’m A Goddess, Yes I’m a Whore

There are, in almost every pole dance class, references made to “The Goddess”: The Goddess Within, The Prancing Goddess, Goddess Rising, and The Writhing Goddess.  Some of these are names for certain moves, others are references a teacher or a student might make when talking about some part of herself that comes alive during a dance.  Strip clubs are often adorned with statues of goddesses at their entryway and calling someone a “goddess” usually implies that they have a strong sense of self and a sense of entitlement to pleasure.

But traditionally the word “goddess” has had a sort of mother-earthy connotation, one that implies that a woman’s power lies in her ability to reproduce.  While it’s true that child bearing gives women a link with the creative forces of the universe, the argument that women’s power lies in their capacity to give birth irks me.  It suggests that having babies is central to the meaning of femininity and it reduces female sexuality to the role of reproduction.  This is only one piece of a woman’s sexuality.  And it is based on her accessibility to a man.

What about her own pleasure?  Where does that fit in?  When we talk about The Goddess in our dance class, we are talking about the innate power that resides in the female body: the power to feel, to entice, to express pleasure and to tell a story with our bodies.  We are talking about the pleasure of sexual exploration and expression, the pleasure of selfishness, the pleasure of female companionship.  We are talking about the power and honor of the half naked female form.

We are also, then, talking about The Whore: the woman inside of us who teases, who taunts, who manipulates and arouses.  We are talking about the woman who just might take your money and run, the woman who uses her feminine wiles to get what she wants.  We are talking about the dark side of the feminine.  In pole dance classes, she can come out to play.  She is given a place in our psyches and this can be deeply healing for many women.

So the next time you invoke The Goddess in your dance, or in your daily life, give a little nod to The Whore as well.  Because without her, The Goddess is incomplete, perhaps even a little too accommodating and not nearly as much fun.

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