Well hello there, bad kitties…

My name is Amy. Nice to meet you!

Once upon a time, I started a pole dancing blog. I didn’t know who would read it, or if anyone even would. All I knew was that after 4 years of pole dancing, I had a lot of thoughts to get out, and I was hoping that maybe someone out there could relate to or learn from what I’ve been through. Turns out, Bad Kitty was reading, and they offered me the amazing chance to blog on this site, and share some of my writing with their readers. Of course, I jumped, rattled, and rolled at the opportunity!

My own pole journey started shortly after graduating college, when I was dealing with the frightening slowing of my metabolism (combined with my first real-life desk job) and the realization that if I didn’t start to do something, I would need to upgrade to a larger-sized wardrobe. I started taking regular pole dance classes on a whim and found pole dancing to be a means of staying in shape and re-connecting to a sensual side I didn’t know I lost.

I met amazing, open-minded, gracious, and introspective people who have helped me grow as a person and challenge myself. And eventually, I met my abs– long lost old friends that emerged from under a few layers of late-night-carb-loaded-dinners– and biceps, and deltoids, and traps. But the introductions were hidden under the wonderful disguise of FUN… a workout so fun you don’t realize that you’re doing it! I’d never done anything athletic prior to pole dancing (except running a horrible 100m hurdle time, and playing not-so-great tennis in high school), but I was soon in the best shape of my life, and empassioned about this new type of movement that had brought so much positive change into my life.

Early in 2010, I was given an opportunity to teach pole dance, and while this had always been an eventual goal for me, I finally felt that I was ready. Since then, I have been introducing men and women in their 20′s, 40′s, and 60′s to the joy that is dance– and more specifically, pole dance. I have gone from student to teacher but in the process, I realized that I am learning more now, at the front of the class, than I did before. I am getting schooled in pole, and life, in a very different way that I appreciate deeply and am inspired to share.

I truly believe that all women are beautiful, that all hips are inherently sexy no matter what size, shape, or color, and that there is nothing more attractive than self-confidence that radiates from a healthy place within. Currently I live and work in Manhattan, managing construction 9-5 and flying weightless at night teaching pole classes at Shockra Studios. I am certified in CPR/AED with the Red Cross, group fitness through AFAA, and pole instruction through the X-Pole/Crunch X-Pert Pole Fitness program. I’ve performed in Polesque, the Great Midwest Showcase, and Pole Superstar. You can find my blog (updated daily) at http://aerialamy.com/blog/ and you can also connect with me on Facebook by clicking here.

I’m excited to start posting! Thanks to Jack, Claire, and everyone at the Bad Kitty Blog team for being so welcoming and kind.

The Pleasure Principle

I’m sitting outside at Le Pain Quotidien on Melrose, enjoying a salad and a mimosa.  It’s one of those perfect LA days – blue skies, palm trees rustling in a gentle breeze, flowers blooming everywhere.  Le Pain Quotidien is one of the few places in LA that has real French bread.  And because I have a French mother, I am acutely aware of what constitutes real French bread, and what amounts to a sad approximation of French bread.   Tearing into and chewing a slice of pain rustique at this place immediately transports me to my grandmother’s apartment circa 1986.  My brother and I were sent every morning to get the bread from the boulangerie on the corner.  It was sometimes still warm from the oven, and we could barely wait to get home and sit down to a breakfast of bread and butter dipped in hot chocolate.  These days I dip my bread into Earl Grey tea, but the taste and texture of the bread is still my favorite part of the ritual.

 

This afternoon reminds of a different vacation though.  One I took with my lover two years ago.  We spent hours eating bread dipped in olive oil and consuming vast quantities of white wine in the South of France.  We lay on the beach, we lay in bed, and we went out to eat almost every night.  There was this sense of deep pleasure and immediate connection with our surroundings.  We lived with the luxurious feeling that time, for all its constraints and demands, was irrelevant.  Except for the day we almost missed our train back to Paris.  But that’s another story!

 

My relationship to time is challenging.  So is everyone’s I suppose.  I frequently feel rushed, I have a hard time scheduling time for myself and I’m often overcommitted.  But I recognize, on days like today, that the ability to let go of time, to let the day unfold on its own, without commitments, without plans gives me tremendous pleasure.  Sensations, such as the sun warming the wood of the table underneath my hand, or the smell of my perfume as the breeze blows through my hair, become heightened and I appreciate and connect with what is around me so much more.  My desires, both physical and emotional, become clearer.  I feel deeply relaxed.

 

I wonder sometimes if America’s relationship to pleasure is tragically intertwined with their relationship to time.  We so often rush through our lives; we put emphasis on being productive and on accomplishing our goals.  From this perspective, pleasure becomes another thing to experience, or to do rather than arising from an internal sense of peace or relaxation.  Of course, there are many different ways to experience pleasure.  But how I feel today reminds me of how I feel in dance class these days: unrushed, delighted, alive, aroused, playful and….happy.  Wait, happy? Yes, the woman who spent three years stomping around class threatening to bite your head off and spit it out is now smiling seductively and joyfully while she dances.  Don’t get me wrong – I’m still a complete tease.  I’ll still fuck with you if you sit in the chair.  I’ll draw you in and push you away.  But I don’t want to kill you anymore.  Au contraire.  I want you to come play with me.  Take me for a walk.  Tell me what to do.

 

My teacher Sheila said to me this week, “You know Claire, we all know that badass thing is just a bunch of bullshit.  I mean it’s hot as hell, but it’s complete bullshit.  Your vulnerable moments are what really make me want to fuck you (she really does talk like that – it’s all metaphorical of course).  That moment where you slipped a little bit and almost fell over?  (She turns to the class) Didn’t you want to fuck her?” They did.

 

My own personal experience of my vulnerability while dancing is of course, quite different.  It’s a bit scary at first, but I feel a great deal more pleasure when I dance from a place of relaxed happiness.  Why relaxed happiness makes me feel vulnerable and scared is yet another story, but I will leave it at this: I’ve never felt like I can trust it for too long.  But I care a lot less these days when I make a mistake (aka “something goes wrong”).  I don’t try to “do” a trick; I just follow my body and improvise.  Don’t misunderstand me though – that angry in-your-face dancing has its place too, and sometimes I need to move that way.  But the amount of freedom I feel when I dance from a place of lazy, timeless pleasure, a place where I let go of expectations is like a mini-vacation to the South of France in and of itself.  And frankly, so is an afternoon at Le Pain Quotidien!

 

You know, if I weren’t in public right now I would probably open my legs wide on this bench I’m sitting on and drop my torso and head in to a lazy seated hip circle.  Oh well.  Instead I will settle for an ultra slow hair pull with both my hands and a lazy, sexy, happy, head roll.  A tout a l’heure mes cheries!

Poling For Charity: The Flying Vs Dance to Help End Violence Against Women

So I don’t know how you spent your Saturday night, but I’m going to tell you how I spent mine, because it was positively spectacular.  First, I went to see The Vagina Monologues.  I know, it came out in the 90’s and where have I BEEN?  But for those of you who have never seen it, it’s worth going. The Vagina Monologues is made up of a varying number of monologues read by a varying number of women.  Every monologue somehow relates to the vagina, be it through sex, love, rape, menstruation, mutilation, masturbation, birth, orgasm, the variety of names for the vagina, or simply as a physical aspect of the body. A recurring theme throughout the piece is the vagina as a tool of female empowerment, and the ultimate embodiment of individuality (courtesy of Wikipedia).  The play does a nice job of making you feel good about your vagina, if you have one.  I do, however, wish it included the more positive aspects of heterosexual relationships.   While I understand that one of the goals of the play is to raise awareness about violence against women, there were parts of the play that felt like flat-out man bashing, which I don’t particularly agree with.

The Vagina Monologues is the cornerstone of the V-Day movement, whose participants stage benefit performances of the show and/or host other related events in their communities. Such events take place worldwide each year between February 1 and April 30. The performances generally benefit rape crisis centers and similar resource centers for women.  This year in Santa Monica, V-Day benefitted Peace Over Violence, an LA based charity that helps women who have been physically and sexually assaulted.  A portion of the proceeds also went to women and girls in Haiti who are launching a campaign to end violence in their country with the help of sponsors and activists.

Following the play, there was a lovely after party with food, drinks and…pole dancing! A group of women known as The Flying Vs performed on two freestanding poles smack dab in the middle of the after party.  The Flying Vs are made up of four women: Tracy Mueller, Christina Grance, Rie Katagiri and Katy Kamen.  All four women have an S Factor background, and three of the four teach pole dancing at S Factor.  Rie teaches at Movement Studio LA.  Their first performance was a celebration of the transition from girl to woman.  The dancers started off in tutus and tank tops and as the song progressed, they shed their layers of girlish clothing to reveal womanly curves and lingerie.  The second performance was an erotic dance to Moulin Rouge’s “Roxanne”.  The message was: I’m unapologetically sexy.  Now watch me and worship.  In both performances, the dancers moved slowly, deliberately and extremelysensually.   While there were some beautiful pole tricks, the focus was just as much on the floor as it was on the pole.  The dancers were in almost constant eye contact with one another, feeding off one another’s energy, which heightened the eroticism of the performance.

I think the presence of pole dancing, especially an incredibly sensual form of pole dancing at this particular charity event, is significant for three reasons.  First, it shows the spirit of the pole dance community in a positive light.  It is possible to be sensual and celebrate the beauty of the female body without denigrating or objectifying it.  Second, it reinforces the idea that ending violence against women (which is the driving force behind all the V Day celebrations) does not mean erasing or hiding or restricting their sexuality.  On the contrary.   The end of violence against women, in a certain way, means that women can fully own and express their sexuality and its power without fear of attack, judgment or any other negative repercussions.  And this is precisely what happened on Saturday night.  Finally, pole dancing for a charitable cause shows that women can choose to dance, they can dance for reasons that are positive, and that the pole dance community is devoted to helping those in need.  In other words, we have heart.  And if you have any doubt about that, then check out Anjel Dust’s latest pole fundraiser for Japan on April 16th and Emilee Wilson’s fundraiser, also for Japan, at The Good Hurt on April 4th.  We love to dance, but we love it even more if it’s for a good cause!

At the end of their last performance, The Flying V’s walked into their audience, who had formed a circle around them, and pulled women out onto the floor to dance with them.  It was a symbolic move, one that communicated that the dance was for all women.  I cannot begin to express to you the joy of looking around at a sea of women, all moving sensually on the floor, on the poles, all celebrating their bodies and their sexuality, all blissfully uninhibited and feeling safe and celebrated.  It was…awesome.  And it made me want to be a Flying V!

 

 

For more information on The Flying V’s go to: www.theflyingvs.com

 

For more information on V Day go to: www.vday.org

 

To get on board with Peace Over Violence check out: www.peaceoverviolence.org

 

 

Why Yes, I’m Certified to Teach Pole Dance

I know you were all wondering what happened!  Well I’m officially certified to teach levels 1 – 4 for pole dancing.  Our last day was short but sweet.  I perfected my caterpillar climb, got into Aisha (with Collette holding my butt up) and learned how to spot perfectly for inversions and climbs.  Which, by the way, is not as obvious as you might think.

 

For some reason I also thought that my last day would be an excellent time to take a Chinese Splits class.  And actually, it was!  The class was a bit like Yoga, and we used mats and blocks to gently stretch and elongate our muscles.  There was seventy-two–year-old student named Lynn who put us all to shame by performing full Chinese Splits on an armchair.  Talk about inspirational!

 

Speaking of inspirational, Celeste Ayers (pronounced AIRS) modeled many of the advanced moves for us in teacher training the last day and WOW!  Her movement is amazing to watch.  She is gracious, fluid, sensual, flexible and has nearly flawless technique.  Celeste was a competitor in this year’s California Pole Dance Championships.  If you have not seen her dance yet, check her out here.

I was extremely pleased with the level of professionalism, the attention to detail and the amount of fun and connection I had with the other students in my Teacher Training Class.  Collette offers the perfect blend of technical skill and sensuality to her teacher trainees and she breaks down the art of pole dancing into easily digestible, clear instructions.  Collette also trains her teachers to have an incredibly good eye for correcting mistakes in their students’ movements.  “I created this program by applying how I was trained in my academic and consulting careers to study a craft and organize information.  It was tedious and meticulous, but so necessary given the huge responsibility we take on in training others.”  In the future, I would love to see this training expanded into a week-long or ten-day endeavor (as would Collette!), because there is an enormous amount of material to cover.  It would also be wonderful to see this program expand its floor work training and dive into the emotionality of pole dancing in greater depth.  Of course, those are my biases!

 

I want to thank Collette, Natalie, Felicia and OC Pole Fitness for putting together a very comprehensive and positive training programthat offers its trainees the flexibility to create their own curriculum while maintaining rigorous safety standards.  I also want to thank my amazing co-trainees, who made the experience fun, exciting, supportive and very positive.   Can’t wait to train for the upper levels!

 

Pole Teacher Certification – Where Should You Go? Part IV

Day 3 of Training:

I mean it’s past the point of me complaining how SORE my body is.  I’m presently numbing some of that soreness with a margarita.

Today I started my day by assisting Collette in an Intro to Pole Class.  I had SO much fun.  Collette has a very upbeat style of teaching, and she keeps the energy in the room high, which I think is good for beginners.  She also takes a lot of time to explain why she is doing what she is doing.  She does not take it for granted that her students will understand why they are spending class time learning floor moves. She explains to them that this will help them to learn sensuality and “swagger” as she likes to call it.   I am not used to classes where the warm ups are broken down with explanations and a part of me just wanted to get lost in the flow of movement.  But I have to say, it seemed to work for this class, and a lot of the students loosened up and were having fun.  I was surprised at how few moves were taught from a curriculum standpoint, and yet how much material it seemed like the students were being given.  And I loved, loved, loved assisting.  There is nothing more satisfying to me than helping a student and watching her face light up when she gets a move.  I also loved showing the students how to embrace their sensual side and enjoy their bodies.  It truly made my day.  I noticed too how much the language that Collette had taught me for pole moves came in helpful for finding small mistakes in the student’s movements and correcting them.  I have primarily studied pole dancing in a studio that has no mirrors, which I always thought was great.  But I must say, I was fascinated (and surprised) by how little the mirrors were used by the students during the floor moves portion.  Partly this is because Collette had everyone facing each other in a circle.  But I also think the students were more absorbed in their movement then in the image of their movement, which is lovely.  On the other hand, I think the mirrors were a great tool for learning pole tricks because pole requires precise and proper body positioning in order to avoid injuries.  Collette finished class with a beautiful demo that had all the students’ jaws on the floor.

After assisting, I got to “teach” my fellow pole students, which was far more challenging.  Each of us took turns being the teacherandCollette came up with a number of student problems for us to tackle; everything from improper positioning to dead pets.  My “students” included someone with a serious cold, another person who couldn’t deal with the sick student, a student whose pet iguana had just passed away and two students who were improperly positioned on the pole for the trick they were about to learn.  I did ok.  I didn’t catch everything, but I taught the trick properly.  The role-playing was extremely valuable.  The amount of stuff going on in a classroom at one time can be overwhelming, and it sometimes feels like you need eyes in the back of your head, a phenomenal memory bank, a ton of empathy and a long fuse.  These scenarios did a great job of preparing us for what to expect in the classroom.

Last, and CERTAINLY not least in my day, I finally learned to do the Shoulder Mount!  I have been practicing that move for months and months and months…improperly it turns out!   No wonder I couldn’t get it.  With a few small, but important adjustments (here is a hint: you will never, ever get your legs over if you are in a back bend) I was able to get my legs over my head flip up onto the pole.  I am ecstatic!! Here is the best part (and it’s kind of a story): When I was little, I was terrible at gymnastics.  I used to take dance and tumbling classes and in spite of my intense love of ballet and tap, at the young and tender age of five, I quit all of it because I couldn’t do a cartwheel.  Everyone in the class could do one except for me, and I was devastated.  My teacher came to the house to talk to me and reassured me that he could teach me a cartwheel and that it would be his priority, but I had already decided that I was a failure and would never accomplish such a feat.  It’s kind of heartbreaking in retrospective.  And today, while trying to figure out the shoulder mount, that old feeling came creeping back in, and I felt like the five year old who couldn’t do the cartwheel.  But no one was going to let me give up – least of all Collette.  She made it her personal goal to teach me that trick.  And I got it.  After five or six tries and some additional adjustments and a lot of encouragement from the women around me, I got it.  And I have to say, whenever I overcome a challenge like that, a little piece of that five year old feels a whole lot better about herself.  And that is priceless.

Last day of training tomorrow!  Oh and I’m taking some sort of Chinese Splits class in the morning…if I can move.

Pole Teacher Certification – Where Should You Go? Part III

Day 2 of Training:

Owie ouch ow, ow, ow, whimper.   Did I say I was sore after the first day? I had NO idea what I was talking about.  Because today, after covering level 3 AND 4 spins, I am truly sore.  But wow do I know a lot!  More than I ever have- even after three years of pole classes.

I want to take a minute to talk about my fellow trainees, because they are awesome.  There are two women named Skye Tacker and Natalie Goldwin from Core Fitness Pilates in Dallas, Texas.  They recently added pole to their repertoire of classes, and they are really starting to take off.  They are both incredibly sweet, high energy and positive.  Then there is the very strong, very wise Jennifer Van Deausen from Pegasus Pilates Plus in Solano Beach.  Much like the first studio, she has added pole into her Pilates regimen.  Her studio is named after the Pegasus because of the transformational qualities both pole and pilates have brought to her life.  And then there is the very beautiful, very kind and very talented Celeste Ayers.  She regularly competes (her performance at the CPDC this year was lovely) and she is a whiz on the spinning pole.  She will be teaching at OC Pole Fitness, however she has already taught quite a bit.  And she has an amazing smile.  Together, the six of us (including Collette) have formed a tight knit group and there is a great deal of support and sharing going on.

(Picture, from L-R: Natalie Goldwin, Skye Tacker and Celeste Ayers)

Collette started us off today with a discussion about what it takes to teach a class.  She talked a lot about the amount of giving being a teacher requires and encouraged us to make sure we have the resources to replenish ourselves after teaching classes.  Anyone who has ever taught knows that it requires a tremendous amount of energy and focus, and no matter how much you love the topic, it can be draining to impart your knowledge to others.  She also talked about the different ways in which anxiety can manifest itself in our students, and why it’s important to see beyond the behavior to the underlying issue.  And she reminded us that for new students in particular, pole dancing classes could actually feel very threatening, and you as the sensual, embodied teacher, could induce a great deal of fear in your new students.  As someone with a psychology background, I greatly appreciated her taking the time to bring such things to our attention.  Pole dancing can be as much of a psychological exploration as it is a physical fitness practice.  The more aware teachers are of this, the better they will become at addressing and potentially helping their students through mental blocks.

We also learned floor moves today.  I have to be honest, as someone who thinks there is no better way to spend her time than rollingaround the floor in ecstasy (and you can take that however you want, by the way) I was a little disappointed that more time wasn’t spent on the floor.  Floor work has been so grossly overlooked in so many studios and it has the potential to unlock a great deal of a woman’s innate sensuality.  Collette did mention this but I wish we had spent more time playing with it.  I don’t think it’s something that comes naturally to a lot of women.

On the other hand, one of the many delightful things about this Instructor Certification program is that Collette is incredibly open about the fact that we are learning from her mistakes.  There is no pretention on her part, she does not presume to have it all figured out, and she openly talks about her mistakes and what she learned from them.  This gives the program a very alive and malleable feeling that allows for updates and new information to easily be accepted, digested and implemented.

So you probably remember that yesterday I was talking about how one of the downsides of having teachers learning tricks in the program was that it could slow down the pace of the training?  Well that was smug of me.  Because guess who could NOT get a trick that everyone else could get today? ME! The Drag and Fly was my nemesis for about twenty minutes.  It’s a spin, but it lands your hips in the opposite direction of the Fireman Spin.  Something my hips have never really done before.  And so OF COURSE, my hips were convinced that they were doing the right thing – and they had me convinced too!  It took one of my lovely classmates dragging my foot around behind me and telling me where it should end up for me to get it!  Tomorrow we are role playing, and teaching a trick.  Guess which trick I have to teach?  Like I said….stay tuned!!

Pole Teacher Certification – Where Should You Go? Part II

Day 1 of Training:

I am ready and rearing to go.  There is nothing I like better than learning (I’m a HUGE nerd) and I show up at OC Pole Fitness with what I hope is a beginner’s mind: empty and hungry.  OC Pole Fitness has a brand new studio space in Aliso Viejo, and the first thing I notice when I walk in is a beautiful picture of Collette on the pole with her two adorable girls.  All three are dressed as angels.  If you spend just a few minutes talking to Collette, you will quickly understand that the angel metaphor is actually quite fitting, which makes the picture that much sweeter.  She has a huge heart and her goals in teacher training, in class and in the pole industry seem to be driven by a very sincere desire to give of herself while building partnership and trust with others.  For example, OC Pole Fitness is running something called The Pole New You Fitness Challenge right now.  They offered five women a free 90-day program to lose one hundred pounds.  This kind of gifting is the brainchild (or should I say heartchild) of Collette and reflects her devotion to spreading the joy that pole dancing can bring to women.

Now, back to the décor!   The second thing I notice in the lobby/retail area is the fabulous rhinestone jewelry and leather cuffs ondisplay.  I am a huge sucker for such things and they are arranged in a way that makes the whole entry seems to sort of shimmer like a magical fairy room.  Add to that the purple walls and curtains and the zebra striped furniture and instantly you are in the mood to get your sexy on.  There are also a number of dance and fitness clothes for sale, and yes, some of them have rhinestones as well!

The main pole studio has a total of eight 15-foot Platinum Stages poles, all of which can be turned into spinning poles and three of which are on a stage with a one-foot rise and lights.  Yes a stage. I can’t imagine anything more fun for a pole party!  There are mirrors on two of the three walls and the back of the room is a row of ceiling high windows that have been covered with heavy purple curtains for privacy.  However they can be opened if daylight is desired.  The lighting is low and pleasing and the floors are a walnut colored hardwood.  In one corner there is a large, overstuffed easy chair.  It’s a lovely, nurturing space, but functional as well.  In addition to the main pole room, there is a smaller room for private lessons just next door.  A room for aerial yoga is still under construction, but has a similar feel to the pole room, with more natural light.

There are a total of five of us in the instructor training and most are already teachers or studio owners.  Their reasons for being there are similar to mine: to learn proper terminology, to learn how to teach and because they love the sensuality of pole dancing.  Collette starts us off by talking about why students come to pole dance classes, who is drawn to them and what keeps them coming back for more.  She makes the point that everyone will have a different reason for coming in at first and that while we will have to adjust our teaching styles accordingly, it is important for us to stay true to why we are teaching and what our credo is.  There are, after all, many different ways to teach pole.  She then spends a fair amount of time on safety before leading us through a warm-up.

What I found so interesting about the training was just how much sensuality was in the movement.  Because I knew the classes would be focused on pole safety and proper technique, I kind of figured that sensuality was out of the picture.  But I was SO wrong.  Collette manages to teach both sensuality and proper technique and she blends the two seamlessly.  I was pleasantly surprised.  Also pleasantly surprising was the amount of freedom offered to us in the choreography.  There is no “one way” to get to where you want to go next in pole dancing, and, as Collette explained to me later, the goal of certification is not just to have an eye for good moves, but to develop an eye for variations.  Longevity of curriculum after all, is an excellent way to keep your customers coming back for more.

We covered a tremendous amount of material on the first day.  The certification process is designed to teach those who might not know a trick how to do it.  This has both benefits and downsides.  The downside of course being that each student might be on a different page when it comes to learning, and the class can get bogged down.  The benefit is that there are live learning experiences happening which makes it the perfect arena to practice teaching with one another.

One of the strengths of this program is that it provides the students with a comprehensive and consistent way to approach pole tricks by using specific terminology for foot and hand placement (i.e. outside foot plant, baseball grip).  This primes the mind to begin to think about where the body is in space in a very specific and consistent way, trick after trick, whichmakes it easier to build on tricks and makes corrections to form much easier.  That is, until your arms turn to jelly.

Six hours and I don’t know how many spins later I am exhausted and ready to go home.  I’m in need of a hot shower and a soft bed.  I now have so much more sympathy for dancers who train competitively and practice like this 5 times a week.  My head is swimming with all of the material I’ve covered – Thank God for those PFA flashcards, that’s all I have to say.  Stay tuned for Day 2!

Pole Teacher Certification – Where Should You Go?

Pole Dancing is a relatively new form of dance fitness, which means there are a limited amount of teacher training programs available and a large number of teachers who teach pole without any certification whatsoever  - which seems insane to me.  As someone who suffered a pole related shoulder injury as a student relatively early in my training (an injury that could have been prevented had proper body mechanics been taught), my inclination is to be cautious on the pole and sometimes I avoid it altogether while dancing.  I’ve also always been a little bit of a snob about people who prefer to throw trick after trick on the pole while incorporating almost no dance style or sensuality into their movement, labeling them as gymnasts only, not dancers.  To me, being precise on the pole used to mean losing some of the sensuality of the movement.  With that said, I fully recognize the skill and strength it takes to properly and safelyexecute beautiful pole and floor moves, and I’ve avoided studios that don’t require their teachers to have some kind of certification program in order to avoid injury.  Additionally, being a good pole dancer – even a competitive dancer – does not necessarily make you a good teacher.  Learning to teach any sort of movement (let alone pole) requires you to have not just a good knowledge of the material, but the skills to impart that knowledge to your students and a trained eye that can both recognize and correct mistakes in body mechanics, assist with issues like self-consciousness and lack of confidence, all while making class a fun and rewarding experience.  That is no small task.

When I decided to explore teacher training programs, I had a list of things I was looking for.  I wanted the program to give me the freedom to develop my own curriculum, rather than being committed to one particular studio’s vision.  I also wanted the program to be very detailed when it came to teaching pole tricks.  That is to say, I wanted it broken down step by step and I wanted the vocabulary I was learning to be consistent with what pole studios were teaching around the world.  I also wanted the program to have some “street cred” a reputation that they needed to uphold.  What wasn’t high on my list was a program that taught me how to be sensual and encouraged me to explore the emotionality behind my movement.  This may of course seem surprising since all I ever write about is female sexuality and emotions, blah blah blah.  However, I knew I already had the skills to teach that portion of the class.

After researching multiple programs over the course of several months I chose the OC Pole Fitness Instructor Certification Program.  OC Pole Fitness was founded by Collette Kakuk (also the co-founder of the Pole Fitness Association) and she runs the studio with Natalie Hammons Hamilton.  The PFA has been the driving force behind things like insuring that pole tricks and spins have the same terminology from studio to studio, as well as pushing for instructor certification programs that emphasize safety and body mechanics first.  Their Instructor Certification Program is the only one to be endorsed by Felix Cane, two-time World Pole Champion.  And while they teach a very comprehensive beginner/intermediate instructor program, they are not teaching you a specific sequence of movements to teach your students.  Rather, they are giving you the the tools to build your own curriculum with confidence.  All of this appealed to me tremendously.  So I signed up!

Over the next few days I will be up to my eyeballs in pole (which sounds like heaven to me) AND I will be chronicling my journey through The OC Pole Instructor Certification Program in order to give my unbiased, in-depth, insider review of what’s going on behind those purple curtains!  So stay tuned my pole pets!


The Pole Show LA 2011

I mean, I don’t even know where to start. The LA Pole Show was divine. And justso we are clear, the definition of divine is: relating to, or proceeding directly from God, that is to say, supremely good. So I’m going to say it again: The LA Pole show was divine.
The show was hosted by none other than Fawnia Dietrich, one of the pioneers of the Pole Dance Movement. Fawnia was dressed most elegantly and did a lovely job introducing the show as well as discussing the art of pole fitness. Sponsors included X-Pole, Bad Kitty Exoticwear, Pole Physics and ITac2. There were 13 performances and about thirty dancers. Dancers included Estee Zakar, Karol Helms, Alethea Austin, Anjel Dust, Mina Mortezaie, Natasha Wang, “Flying” Laura Martin, Leigh Ann Reilly, Annemarie Davies, Marlo and Jenyne Butterfly. In between performances a solo dancer would come slithering out and do a mini show while the poles got cleaned. These little interludes were by far the sexiest dances of the show. The movement felt beautifully unchoreographed and the dancers were uninhibited, sensual and raw. The costumes (provided mostly by Bad Kitty) were gorgeous, creative and stayed put. Karol Helms was even sporting BK’s body art.
What struck me the most about the LA Pole Show (aside from how smoothly it ran) was how much sensuality and creativity there was in every performance. Alethea Austin actually did a wall dance in her performance – unheard of in most pole shows. There was sexiness oozing out of every six (and eight)-inch stiletto on that stage. When I mentioned this to Leigh Ann Riley (owner of Be Spun and the woman behind the LA Pole Show) she said, “Well we always try to incorporate the sexy into it.” Still, it got me thinking, is it possible that as pole dancing becomes more popular and more widely accepted in the mainstream, that the need to differentiate pole from stripping by eradicating the sexiness of the movement is shrinking a bit? Because in my opinion, that would be amazing. Take floor work, for example. At last year’s pole convention Alethea Austin was the only performer to do any sort of extensive floor work in her performance. At this year’s LA pole show, nearly every performance incorporated the floor and some dancers even focused on it.

While these women (and men) undoubtedly demonstrated incredible athleticism and artistic presence on the pole, the added element of sexiness made the performances that much more interesting to watch. And, each dancer had their own version of sexiness. For Natasha Wang and Laura Martin, sexy was a jazzy flapper pole dance to a song from the musical Chicago. For Marlo and Steven, it was a sassy and amazingly timed pole duet where BOTH parties wore heels, lashes and removed clothing. And for the ladies dancing to Strict Machine, it was a gorgeous stripping out of men’s suits, some serious grabbing of parts, and sequined pasties to finish. In addition, there were witches and clowns, nerds and cool girls, LA babes and Angels and of course, the ever-classy, ever-understated, ever-beautiful Jenyne Butterfly. Quite a show. SO, if you missed it this year, look at the pictures by Sam Green, watch the video (click on the link below) below and then do yourself a favor: Plan on being there next year.

The Pole Show LA 2011

Common Excuses NOT To Try Pole Dancing (Put To REST!):

Excuses, excuses…..We’ve all heard at least a few of these, if not every last one! Many people still have fears about just jumping up on the pole with the rest of us. So, here it is: The reasons people give for steering clear of the pole and some perfect responses you can share with them to end their fears & fuel their confidence to give it a spin!

1 “I’m Too Old”

The pole is effective & fun at any age! There’s NO limit. The studios we surveyed had taught students from 18 mnths to 70+!

2 “I’m Not Strong Enough”

Not many people are strong enough to do what they have seen or think they want to do on the pole when they start out. It’s a ridiculous notion to think you would already be at an advanced level of anything before you actually tried it. No one is. Nothing works that way. You start out where you are, and progress from there. By doing it, you get better, and stronger.

3 “I’m Too Big/Out of Shape”

Another ridiculous notion. You can’t change something by doing nothing. If you don’t like the size or shape of your body, the only person who can change that is you. Pole Dancing is 100% effective for whole body fitness. Start where you are today, tomorrow you’ll be glad you did!

4 “I Will Look Stupid”

Everyone in your class will be thinking the same thing you are. As you learn, you’re technique & your confidence will help alter this self-defeating thought! Honestly, who cares!

5 “I’ll Fall Off the Pole/Get Hurt”

Here’s the truth. No one’s ever magically ‘fallen off’ the pole in class-especially in the beginning-Mostly because in the beginning, you’re not even ‘ON’ the pole in a way that you’d be physically able to fall off of it! You get it…..For that same reason, you won’t get hurt. Experienced instruction & proper technique will ensure your safety! Look for an accredited studio with certified instructors & you’ll be in good hands.

6 “I Have a Previous Injury”

This is a good thing to address, actually. Always tell your instructor about any current or previous injuries that may affect your ability to do certain moves. Always have a physician approve any work-out program before you start it. Tell your instructor if anything is hurting you in class. Beyond those things, the pole is a great way to ‘rehab’ injuries of all kinds. It is easy on joints, helps improve flexibility, muscle tone & core/upper body strength-which helps significantly improve and/or heal a multitude of injuries.

7 “My Family/Friends May Not Approve”

This one is definitely a challenge for some, however, if they are properly educated, the capacity to change their outlook is a viable one. Pole Dancing isn’t what most people think it is still-those days are gone. Pole is a fun, beautiful form of art & sport in today’s world. Invite a friend to class, pull up a you tube vid, talk to them & share. Knowledge is power.

8 “I’m Uncoordinated”

If this is true, then you definitely need some pole in your life! You will learn to become more flexible, stronger, and even more rhythmic! As you put moves together and practice choreographed combinations, you will find your two left feet evolving fast! Remember, if you were already a pro at the fox-trot, you’d probably be teaching the class, not taking it….right?

9 “I’m Too Shy; Don’t Want Others To See Me”

Trust me, you’re not the first, and won’t be the last….There’s a lot of shy people out there-and really, we all lack a little confidence when we’re learning something new. It will come. And when it does, you’ll evolve with it. Trust in your instructor to make you feel comfortable, and know that everyone in the class is probably feeling the same thing to a certain degree. No one’s watching. It’s not a competition. You’re not being tested or judged. The classroom is a safe environment where you can learn & enjoy yourself!

10 “I’m Not Flexible Enough”

Let’s go back to #2 on this one. There’s no initial ‘flexibility requirement’ to sign up for a class. Think of it like anything else. You wouldn’t decide not to go to the gym because you weren’t already in shape. That’s why you go…results to follow!

11 “It Seems Silly”

Trust me, it’s not. It works and it’s a ton of fun. Come with an open mind.

12 “I’m Not Sexy”

Being ‘sexy’ is one of those things… Some people really ‘have’ it, some don’t…yet. What I can say for sure here is it’s NOT a requirement to be sexy to work out, have fun & get in shape. However, the pole does possess a little bit of magic for some in this area….You may discover you’ve got more of this power than you think….

13 “I Don’t Have Time, or Money to Learn”

Here’s what I’ve personally learned about this: If you really want to do something, you’ll figure it out. It’s funny how that works.

14 “I Don’t Want to Wear ‘Skimpy’ Clothes”

Once again, let’s educate here. ‘Skimpy’ is not a necessity. That’s a style option. What is helpful in the beginning, and more necessary as you advance, is skin grip. Some skin is required for most moves on the pole…just like a swimming suit is required for swimming. Shorts are ideal for most pole work. Tees, tanks & sport bras, skirts, ‘skorts’ or boy shorts are good choices that vary depending on your comfort & your level of practice. There’s no reason you can’t be modest & comfortable.

15 “Whatever other reason in the world you’ve come up with to pretty much defeat yourself from ever trying anything new, exciting & totally effective-because you are stuck in a BAD pattern!”

My advice: Get over it! Come have the most fun you’ve ever had while getting in shape & totally learning to love yourself!

**The point here is, if you have a question, fear or curious notion…we have the response. We’ve heard it, seen it, done it , worked through it and got the t shirt. Don’t be afraid to ask! But be prepared, we’ve convinced many to try the pole, and don’t intend to quit anytime soon….It’s for your own good!**

By: Chastitie Lujan,  Co-Creator www.poledanceintlmagazine.com

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